Mike Piacentini at the mastering console at Battery Studios
Battery Studios, NYC · Sony Music

Masteringby Mike Piacentini

I'm Mike. Grammy Award–nominated mastering engineer at Sony Music's Battery Studios in Midtown Manhattan. Thousands of records, from chart-topping hits to historic reissues.

Tate McRaeMiley CyrusThe ChainsmokersColdplayJohn LegendSZABob DylanKhalidCarrie UnderwoodDepeche ModeTate McRaeMiley CyrusThe ChainsmokersColdplayJohn LegendSZABob DylanKhalidCarrie UnderwoodDepeche Mode

— 01 / Approach

Music producer working at a DJ mixer console in a professional studio with audio equipment and acoustic panels
Modern recording studio with wooden walls, multiple workstations, computer monitors, audio equipment, and professional lighting
Persons hand adjusting controls on an audio mixing console with knobs and buttons in a music production studio
Technicians hand adjusting cables in a professional audio or networking equipment rack with multiple modules and connections
MP

Mike Piacentini

Grammy-nominated mastering engineer · Sony Music

I don't make things louder. I make them make sense — at the airport, in the car, on a $5 speaker at 2am, on whatever your listener is using that you can't control.

I'm one of Sony Music's in-house mastering engineers and a Grammy Award winner. I've mixed and mastered thousands of tracks — from indie breakthroughs to major label icons — delivering records that sound powerful, polished, and release-ready across streaming, radio, vinyl, and beyond.

Beyond the discography, I bring a deep understanding of today's artists and producers. Every master I deliver translates with impact — on Spotify, Apple Music, YouTube, radio, clubs, and beyond. From singles and full albums to vinyl and immersive formats, the goal is the same: release-ready masters that compete with the biggest records in the world.

— 02 / What I do

Services

Four ways to work together, depending on where you are with the record.

Dual monitor DAW setup with colorful audio tracks

Mixing

Taking your raw tracks and turning them into a balanced, emotionally impactful mix that translates everywhere. Everything from vocal-tuning and drum replacement to full arrangement tightening — the mix is where the record actually comes to life.

Hands adjusting controls on an audio mixing console

Mastering

The final creative and technical step. Stereo and stem mastering for streaming, radio, CD, and vinyl — loudness optimization, ISRC embedding, sequencing, fades, and the last pair of ears before the world hears it.

Modern recording studio with wooden walls and multiple workstations

Immersive Audio / Dolby Atmos

Spatial mixing and mastering for Apple Music, Tidal, and Amazon Music. Binaural headphone renders, 7.1.4 speaker deliverables, and ADM/BWF files — everything you need to place the listener inside the song.

Hands adjusting cables in professional audio equipment rack

Audio Restoration

Noise reduction, click and pop removal, hum filtering, spectral cleanup. For reissues, archival tape transfers, vinyl rips, podcast recordings, or anything where the content is gold but the audio needs help.

All sessions include one round of revisions and delivery in the formats you need. Ask about a project.

— 03 / Recent work

Selected credits

A handful of records I've worked on over the last few years.

01
Tate McRae
Mastering
02
Miley Cyrus
Mastering
03
The Chainsmokers
Mastering
04
Coldplay
Mastering
05
John Legend
Mastering
06
SZA
Mastering
07
Bob Dylan
Mastering
08
Khalid
Mastering
Dual monitor music production setup showing DAW interface with colorful audio tracks and mixing controls on wooden desk

The studio

Battery Studios, Midtown Manhattan · Since 2014

— 05 / The signal chain

The signal chain, for the gear-curious.

A world-class hybrid analog-digital mastering rig at Battery Studios in Midtown Manhattan. The gear matters — but it's the ears and the room that make the records translate. Here's what's in the chain.

MonitoringDuntech loudspeakers
ConversionLavry Gold · HDCD Microsonics
AnalogSontec MES 429C · EAR 825Q · EAR 660 limiter · Focusrite 330 Blue compressor · Maselec MPL-2 · Maselec MTC-6 console
DAWPro Tools HDX · Sequoia

— 06 / Process

How a record gets through here.

No project management software. No onboarding calls. Send a file, get a master, send notes, get a revision. That's it.

01

Send a track.

Email me a link to a stereo mix (WAV, 24-bit or higher). I'll confirm I've got it and that nothing's weird about the levels.

02

I master it.

Usually within 2–3 business days, often faster. You'll get a watermarked preview MP3 to check on your own speakers first.

03

Notes, if you have them.

I send back the preview with written notes. You reply with whatever you want changed. One round is included.

04

Final master, ready to ship.

WAV 24/96, WAV 16/44.1, 320kbps MP3, ISRC embedded. DDP for physical. Whatever you need to push the button.

— 07 / Get in touch

Ready to work together?
Tell me about the record.

Reach out with some details about the project — how many tracks, where you are in the process, and what you're hoping to get out of it. I'll follow up within a couple days.

TurnaroundFirst pass within 3–5 business days · Full project 7–10 days
FormatWAV 24/96 · 16/44.1 · DDP · MP3 320